Their psychedelic stuff is a bit too out there, even for me I bought the Immersion box sets of DSotM, WYWH and The Wall, they are a decent size and sit nicely amongst my hard back books.
It is weird, what's always struck me about their early stuff is the total contrast with the later stuff.
It's listenable, once every few years I guess though. BBC did a thing a month or two back playing the early stuff. It was alright but I won't be rushing to buy it any time soon.
Roger Waters was initially hesitant but gave it his blessing:
"He gave us a lot of room and freedom, I was expecting the legendary control freak over our work and it was the absolute reverse. I was sitting next to him and he said: 'So, powerful shit man'"
Roger Waters was initially hesitant but gave it his blessing:
"He gave us a lot of room and freedom, I was expecting the legendary control freak over our work and it was the absolute reverse. I was sitting next to him and he said: 'So, powerful shit man'"
Well exactly, it's the music that made it.
We should do an opera based on Breather 'Come On'.
You'd have to be right into the Pink tale to see any merit, I think anyway.
It's not actually the music.
Roger Waters has written an opera all of his own, a few years ago called Ca Ira
rioja rioja reverend al green deep blue morocco the water on stone the water on concrete the water on sand the water on fire smoke the wind the salt the bride boat coming dave in the water old man einstein on top of his house white deep blue andalusia red yellow red yellow black car red light far black place walls blue chair morocco hamburg paris
![[HarderFaster] - Work Hard, Play Harder!](/images/mainbanner_top1.gif)
06-12-2016 11:05 AM
I was about to post this, it's a powerful story which could transfer to another medium, but the original music makes it for me.
